Rabbit Hole #39: The Classics Book Tag

THE CLASSICS BOOK TAG: (I couldn't find the originator of this tag; if you know, please tell me!)

1. An over-hyped classic you really didn't like: Anna Karenina by Leo Tolstoy
I went in to this thinking it was going to be solely about Anna and Vronsky and the love triangle; I should have known that being a Russian novel, it was going to have a much wider scope than that. I felt bogged down in the agricultural discussions and found myself not really caring about any of the characters. 

2. Favorite time period to read about: 1920s

American and British Modernism and the Harlem Renaissance are my favorite areas to read and study (my master's thesis was on Virginia Woolf). Even though the 1920s had a lot of faults, there is something about that era of change and decadence that appeals to me. 

3. Favorite fairy-tale: Little Red Riding Hood
There is so much more to this tale than simply warning children to not talk to "wolves." It has layers of rape culture, feminism, sexual politics and much more. It also proves that fairy tales are often not for children.

4. What is the classic you're most embarrassed about having not read
I'm not really embarrassed about books I haven't read yet. I've read a lot of classics, and it's impossible to read them all (unless that's all you're reading, and there's just too much good stuff out there!)

5. Top 5 classics you would like to read (soon): Giovanni's Room by James Baldwin, Passing by Nella Larsen, Lady Susan by Jane Austen, The Importance of Being Earnest by Oscar Wilde, and Middlemarch by George Eliot

6. Favorite modern book/series based on a classic: Wicked by Gregory Maguire

I love backstories to well-known characters, especially villains. No one is ever completely good or evil, and our circumstances can put us into situations that require drastic measures. And sometimes the villain is actually less evil than the hero. 

7. Favorite movie version/tv-series based on a classic: Sleepy Hollow is my current favorite. 
I love the mix of the original tale with amped up paranormal events, connections to history, and a diverse cast. I also love Once Upon a Time for its twists and connections of all types of classic stories. 

8. Worst classic to movie adaptation: Beowulf (with Ray Winstone and Angelina Jolie)
This strayed so far from the original, creating a romance between Hrothgar and Grendel's mother and then between Beowulf and Grendel's mother. I'm all for leaving details out, but when you create scenes and conflicts that weren't in the original, that bothers me. (Especially since Neil Gaiman, whom I love, wrote the screenplay.)

9. Favorite edition(s) you'd like to collect more classics from:I don't really collect editions, although I'm seeing some really beautiful ones that might tempt me to change my mind!

10. An underhyped classic you'd recommend to everyone: The Tenant of Wildfell Hall by Anne Bronte

Anne is by far the most underrated of the Bronte sisters--some people don't even know she exists--and probably the most radical. Tenant is a decidedly feminist book, and it was so far ahead of its time that even Charlotte didn't approve of its themes and "coarseness."

Rabbit Hole #13: (re)Read Me a Story

There's nothing like an old story with a new twist.

I think I first noticed my obsession with “retold” stories when Wicked by Gregory Maguire came out. The Wizard of Oz is a much-loved story from my childhood (much to my husband’s chagrin), and the idea that the Wicked Witch might not be quite what we were told was intriguing. Maguire's take on Elphaba and Galinda, and the entire ensemble of Ozian characters breathed new life into the story, adding another, and might I say much needed, dimension. (I also love the musical, except for Fiyero’s casting…) I’m also diving into Danielle Paige’s new Oz books, beginning with Dorothy Must Die, and loving the idea that Dorothy isn’t as sweet as she seems.

Fairy tales seem to be easy source material for these retellings. Jane Yolen's Briar Rose sets Sleeping Beauty in the tragedy of the Holocaust. Marissa Meyer’s YA Lunar Chronicles retell the princess tales in a futuristic society (Cinder/ella is a cyborg), while Helen Oyeyemi’s beautiful Boy, Snow, Bird transports Snow White to 1950s segregated America. Maguire also has Confessions of an Ugly Stepsister (Cinderella) and one of the most intriguing reworkings--Mirror, Mirror, which links Snow White with the story of Lucrezia Borgia and her family.

There are also side characters in literary fiction who are so interesting that their stories are practically screaming to be told. I, Tituba, Black Witch of Salem by Maryse Conde turns The Crucible and the Salem Witch Trials around by giving Tituba her voice (and also has a really odd crossover with The Scarlet Letter--which also has a great retelling in the dystopian When She Woke by Hillary Jordan). Wide Sargasso Sea by Jean Rhys takes Jane Eyre’s mad wife in the attic and makes her an extremely sympathetic and tragic character. Another one of my favorites is My Jim by Nancy Rawles, a retelling of Huck Finn from the perspective of the wife Jim has left behind. It’s a poignant and heartbreaking tale, much different from its source.

For those who want a comedic twist on their old plots, Christopher Moore's books Fool and The Serpent of Venice (King Lear and The Merchant of Venice, respectively) are wonderful romps through the Shakespearean landscape. He also has his slightly irreverent novel Lamb: The Gospel According to Biff, Christ's Childhood Pal, which is one of my all-time favorites.

As much as I love new, innovative plots, there’s nothing that sends me for my wallet quite like a retelling of a classic story. Now, if you’ll excuse me, I just noticed that Sarah Pinborough has a new trilogy of “wicked” princess stories.

**Disclaimer: I linked each of these books to Barnesandnoble.com so interested individuals could read the plot synopses. I do not receive any compensation from them.